蟈蟈聲
文/李文輝
明月的夜晚
聽蟈蟈的叫聲
有時(shí)一只在叫
有時(shí)幾只在叫
心想：
它們叫累了是否停一會
鄰居家回來了
吱吖的開了大門
又聽到插大門的聲音
他家院子里的小狗傳來撒歡的聲音
月光透進(jìn)棉紙裱的木窗
明天要跟大人去趕街
去縣城租看小人書
上次上縣城看到書攤有很多小人書
只能站在攤外飽飽眼福
書攤就像海
千般吸引貪玩沒下過水的小孩
蟈蟈聲叫個(gè)不停
也許停了會讓同伴不知道它的身影
夜深了
蟈蟈聲伴我進(jìn)入想象中看小人書的夢境
The Chirping of Katydids
By Li Wenhui
On a moonlit night,
I listen to the chirping of katydids.
Sometimes one calls alone,
Sometimes several join in.
I wonder:
When they grow tired, do they pause for a while?
The neighbor returns home,
The gate creaks as it opens,
Followed by the sound of the bolt sliding shut.
From their yard, the little dog’s joyful barks echo.
Moonlight filters through the cotton-papered wooden window.
Tomorrow, I’ll go with the adults to the market,
To rent picture-story books in the county town.
Last time, I saw many at the bookstall,
But with no money, I could only feast my eyes from afar.
The bookstall is like an ocean,
Its countless ships enticing playful children who’ve never ventured into the waters.
The katydids chirp incessantly—
Perhaps if they stopped, their companions would lose track of their presence.
Late into the night,
Their chirping accompanies me into a dream, where I wander through the world of picture-story books.
《蟈蟈聲》A丨賞析：月光下的童夢與生命共鳴
李文輝的這首小詩以夏夜蟈蟈聲為線索，編織出一幅充滿鄉(xiāng)土氣息的童年畫卷。詩人通過細(xì)膩的聽覺捕捉與心理描摹，在看似平淡的日常場景中，挖掘出深邃的情感共鳴與生命哲思。
詩歌開篇以明月夜為背景，蟈蟈聲作為貫穿全詩的核心意象率先登場?！坝袝r(shí)一只在叫/有時(shí)幾只在叫”的樸素?cái)⑹觯岛献匀唤缟?jié)奏的此起彼伏。詩人對蟈蟈“會叫累了停一會”的揣度，巧妙將物我界限模糊，為后文人與自然的精神共鳴埋下伏筆。
中間段落的三重聲音交織頗具匠心：鄰居家“吱吖”的開門聲、小狗撒歡聲與持續(xù)不斷的蟈蟈聲，構(gòu)成鄉(xiāng)村夜曲的三重奏。這些聲音在月光透窗的靜謐背景下，既強(qiáng)化了現(xiàn)場感，又自然引出明日趕街的期待。關(guān)于小人書攤的比喻尤為精妙——“書攤就像海/千般吸引貪玩沒下過水的小孩”，將知識海洋與孩童求知欲的關(guān)系通過航海意象生動呈現(xiàn)，那個(gè)因貧窮而“站在攤外飽飽眼福”的細(xì)節(jié)，道出了特定年代里普遍而心酸的童年記憶。
結(jié)尾處蟈蟈聲被賦予更深層的象征意義：“停了會讓同伴不知道它的身影”。這既是昆蟲的生存智慧，也可視為詩人對存在價(jià)值的思考——每個(gè)生命都需要通過特定方式確認(rèn)自身存在。最終蟈蟈聲與夢境交融，完成從現(xiàn)實(shí)到精神世界的詩意過渡，童年純真與生命堅(jiān)韌在月光下達(dá)成和諧統(tǒng)一。
全詩語言質(zhì)樸如童謠，卻蘊(yùn)含多重解讀空間。蟈蟈聲既是具體的自然聲響，又是記憶的觸發(fā)器，更是生命存在的隱喻。在棉紙木窗的傳統(tǒng)意象與小人書的現(xiàn)代文化符號之間，詩人成功構(gòu)建了一個(gè)既具體可感又超越時(shí)空的童年秘境，讓最簡單的夏夜蟲鳴承載起對往昔歲月的深情回望。
