專輯介紹
專輯《詠·天籟華音——劉天華十首二胡獨奏曲》是由中國青年二胡演奏家張詠音錄制、演繹的一張經(jīng)典二胡作品專輯。這張專輯以劉天華先生的十首二胡曲為藍(lán)本，通過張詠音精湛的演奏和富有當(dāng)代氣質(zhì)的詮釋，展現(xiàn)了中國二胡音樂的文化底蘊和獨特魅力。
劉天華是中國近代民族音樂發(fā)展和改革的先驅(qū)，他的國樂改進思想挽救振興了當(dāng)時發(fā)展垂危的中國民樂，其創(chuàng)作的音樂作品融匯中西，具有獨特的音樂風(fēng)格和思想內(nèi)涵，時至今日，劉天華所開拓的民族音樂發(fā)展之路一直影響中國民族音樂從業(yè)者。
這張專輯的曲目幾乎貫穿了劉天華先生的一生，在他不同的生命階段創(chuàng)作的十首二胡曲《病中吟》《月夜》《苦悶之謳》《悲歌》《良宵》《閑居吟》《空山鳥語》《光明行》《獨弦操》和《燭影搖紅》正是他音樂思想和創(chuàng)作理念的實踐，從音樂風(fēng)格上這十首二胡曲可以大致劃分為他與現(xiàn)實之憂思憤懣、與自然之文人雅趣、與理想之激昂奮進三個類別。通過這些作品，聽眾可以感受到劉天華先生深處復(fù)雜動蕩的近代中國社會，為 改進、發(fā)展國樂做出的種種努力，同時也能體味中國二胡在近代發(fā)展中衍生出的獨特魅力。
在專輯的錄制過程中，音樂家張詠音特別選擇了一把具有八十余年歷史的民國時期的老胡琴來演奏。這把胡琴歷經(jīng)歲月的洗禮，聲音沉淀出了一種真實的歷史感，恰好與劉天華先生的作品所處的歷史時期相吻合。為了最大程度地還原劉天華先生的音樂作品，張詠音在演奏過程中沒有刻意對這十首作品進行技法上的預(yù)設(shè)編排，而是期待在已有樂譜中尋找音樂的即興表達。這種演奏方式不僅展現(xiàn)了張詠音對這些作品的深刻理解和精湛的演奏技巧，也讓聽眾能夠更加真實地感受到劉天華先生音樂作品的魅力和深度。
整張專輯的錄制過程充滿了挑戰(zhàn)和思考，張詠音通過自己的努力和才華，成功地將劉天華先生的音樂作品呈現(xiàn)在聽眾面前。這張專輯不僅是對劉天華先生音樂作品的新時期演繹，也是對中國傳統(tǒng)音樂的致敬和傳承。通過這張專輯，聽眾可以更加深入地了解中國傳統(tǒng)音樂的精髓和魅力，同時也能夠感受到當(dāng)代中國青年演奏家是如何傳承發(fā)揚以劉天華先生為代表的民族音樂家為國樂改進和探索所付出的情感和宏愿。
Album Introduction
The album "CRYSTAL DREAMS-LIU TIANHUA: TEN PIECES FOR ERIHU" is a China Erhu works album recorded and performed by the Chinese Erhu musician Zhang Yongyin. Based on the ten Erhu pieces by Mr. Liu Tianhua, Zhang Yongyin's superb performance and contemporary temperament, it conveyed the cultural heritage and distinct charm of China Erhu music.
Liu Tianhua is a pioneer in the recreate and reform of modern China national music. His idea of optimizing national music has salvaged and revitalized the then endangered China national music. The musical works he composed blend China and Western elements and have unique musical styles and ideological connotations. Up to now, the direction of China national music development opened up by Liu Tianhua has always influenced the China national music practitioners.
The composition of this album run through the whole life of Mr. Liu Tianhua. The ten erhu pieces brewed at different stages of his life are precisely the practice of his musical ideas and creative thoughts In terms of musical style, these ten erhu pieces can roughly be divided into three categories: his worry and indignation with reality, his refined interest of literati with nature, and his passion and striving with struggle. Through these works, the audience can feel the various attempt made by Mr. Liu Tianhua in the complex and turbulent early 20 century Chinese society to improve and exploit national music, and can also appreciate the unique melody of Chinese erhu during this period.
During the recording process musician Zhang Yongyin specially chose an old Erhu with a history of more than eighty years. which just coincides with the historical period in which Mr. Liu Tianhua's works are located. In order to restore Mr. Liu Tianhua's musical works to the greatest extent, Zhang Yongyin did not deliberately preset the techniques for these ten works during the performance but looking for the improvisational expression from the existing musical scores. This way of interpretation not only shows Zhang Yongyin's deep understanding and superb skills of these works, but also allows the audience to feel the charm and depth of Mr. Liu Tianhua's musical works more truly.
The whole recording process of this album is full of challenges. Through her own efforts and talent, Zhang Yongyin successfully presents Mr. Liu Tianhua's musical works in front of the audience. This album is not only a new-era interpretation of Mr. Liu Tianhua's musical works, but also a tribute and inheritance to traditional Chinese music. Through this album, the audience can approach the essence of traditional China music more closely and can also feel how contemporary Chinese musicians inherit and carry forward the mission and great vision of national musicians represented by Liu Tianhua for the improvement and exploration of the China national music.
曲目單
1.病中吟 2.月夜3.苦悶之謳（苦中樂）4.悲歌5.良宵（除夜小唱）6.閑居吟7.空山鳥語8.光明行9.獨弦操（憂心曲）10.燭影搖紅
programme
1.Bewilderment2.Moonlit3.Agony 4.Pathos5.Elation6.Leisurely7.Twitter8.Brilliance March9.“Anxiety” - Exercise on Inner String10.Candlelight Shadows Red
音樂家介紹
Musician Introduction
張詠音，浙江音樂學(xué)院國樂系副主任，副教授、碩士研究生導(dǎo)師，博士。中國民管學(xué)會胡琴專業(yè)委員會常務(wù)理事、浙江省民管學(xué)會胡琴專委會副會長。國家藝術(shù)基金首批舞臺藝術(shù)項目資助人才。張詠音出身音樂世家，自幼隨父學(xué)習(xí)二胡，曾就讀于天津音樂學(xué)院附中，后考入中國音樂學(xué)院國樂系本科并保送本校碩士，師從著名二胡演奏家、教育家宋飛教授，博士畢業(yè)于中國音樂學(xué)院器樂表演藝術(shù)方向，專業(yè)導(dǎo)師宋飛教授、理論導(dǎo)師著名作曲家劉青教授。曾先后得到呂國峰、陳幼曾、劉尊海、宋國生、劉長福、閔惠芬、王國潼、楊光熊、朱昌耀、周維、鄧建棟等名家名師的悉心指教，并研習(xí)京胡、板胡、墜胡、擂琴、揚劇主胡等多種民族拉弦樂器。曾先后獲得“CCTV民族器樂電視大賽”、上海之春二胡邀請賽、首屆“敦煌杯”全國民族器樂大賽、第十、十一屆浙江省音樂舞蹈節(jié)、“2017年海內(nèi)外江南絲竹邀請賽”等各類專業(yè)賽事獎項。工作以來，曾被授予浙江省G20工作先進個人、浙江省優(yōu)秀黨務(wù)工作者、浙江省青年崗位能手等榮譽稱號。先后入選國家藝術(shù)基金二胡表演藝術(shù)人才培養(yǎng)、中國音協(xié)全國二胡骨干演奏人才培養(yǎng)、中國音協(xié)全國二胡骨干教師培養(yǎng)等項目。近年來她以獨奏家身份活躍于音樂舞臺，受邀在中國弓弦藝術(shù)節(jié)、國家大劇院系列演出季、北京中山公園音樂堂藝術(shù)節(jié)、澳大利亞中華文化節(jié)、WMD世界音樂節(jié)、天津歌舞劇院“名家名曲”系列演出季、中國·杭州G20峰會、國家藝術(shù)基金大型項目《清明上河圖》《錢塘江音畫》《越地長歌》《大河之北》《團結(jié)就是力量》《雄安》《大合絲路》《燕趙長歌》等重大藝術(shù)活動中演出，首演了《生生不已》《鑄夢》《絲綢》《國泰民安》《雁翎》《相擁》《情訴柏坡》等作品。張詠音還一直致力于推動二胡藝術(shù)的發(fā)展與研究。2019年由她委約著名作曲家王云飛教授創(chuàng)作并首演的大型二胡協(xié)奏曲《鑄夢》獲國家藝術(shù)基金青年藝術(shù)創(chuàng)作人才項目——舞臺藝術(shù)表演項目資助，該作品還入選了文化和旅游部2020—2021年度“時代交響——中國交響音樂作品創(chuàng)作扶持計劃”，2021年張詠音與蘇州民族管弦樂團合作完成全曲錄制并于上海音樂出版社發(fā)行同名個人演奏專輯《鑄夢》。她還發(fā)行有《無伴奏二胡套曲-如來夢》《樂典演奏家專輯系列：二胡-張詠音》《詠天籟華音·劉天華十首二胡曲獨奏》等多部獨奏專輯。曾主持多項國家級、省級項目，并在核心期刊發(fā)表有多篇學(xué)術(shù)論文。
Deputy Directorof the Department of Chinese Traditional Music, Zhejiang Conservatory of Music; Associate Professor, Master's Supervisor, Ph.D.Executive Council Member, Chinese Nationalities Orchestral Society (CNOS) Huqin Professional CommitteeVice President, Zhejiang Provincial CNOS Huqin Professional CommitteeNational Arts FundFirst Batch of Stage Arts Project Funded TalentBorn into a musical family, Zhang Yongyin began learning the erhu from her father at a young age. She attended theAffiliated High School of Tianjin Conservatory of Music before being admitted to the Department of Chinese Traditional Music at the China Conservatory of Music for her undergraduate studies, where she was later recommended for exemption from entrance exams to pursue her master's degree. Throughout her studies, she studied under the renowned erhu performer and educator, Professor Song Fei. She earned her Ph.D. in Instrumental Performance Art from the China Conservatory of Music, with Professor Song Fei as her professional supervisor and the distinguished composer Professor Liu Qing as her theoretical supervisor. She has also received invaluable guidance from esteemed masters and teachers including Lü Guofeng, Chen Youceng, Liu Zunhai, Song Guosheng, Liu Changfu, Min Huifen, Wang Guotong, Yang Guangxiong, Zhu Changyao, Zhou Wei, Deng Jiandong, among others. She has also studied a variety of other Chinese bowed string instruments, including the jinghu, banhu, zhuihu, leiqin, and the principal huqin used in Yangzhou opera.Zhang Yongyin has garnered numerous awards in prestigious professional competitions, such as the"CCTV National Instrumental Music Television Competition," the Shanghai Spring Erhu Invitational Competition, the first "Dunhuang Cup" National Ethnic Instrumental Music Competition, the 10th and 11th Zhejiang Provincial Music and Dance Festivals, and the "2017 Domestic and Overseas Jiangnan Sizhu Invitational Competition."Since beginning her career, she has been honored with titles such asZhejiang Province G20 Advanced Individual, Zhejiang Province Outstanding Party Affairs Worker, and Zhejiang Province Youth Post Expert. She has been selected for several national-level talent development programs, including the National Arts Fund Erhu Performance Art Talent Training Program, the China Musicians Association National Key Erhu Performer Training Program, and the China Musicians Association National Key Erhu Teacher Training http://Program.In recent years, she has been active on the concert stage as a soloist. She has been invited to perform at major artistic events such as theChina Bowed String Art Festival, the National Centre for the Performing Arts (NCPA) Performance Seasons series, the Beijing Zhongshan Park Music Hall Art Festival, the Australian Chinese Cultural Festival, WMD World Music Days, the Tianjin Song and Dance Theatre 'Masters and Masterpieces' Performance Seasons series, the China Hangzhou G20 Summit, and National Arts Fund large-scale projects including "Along the River During the Qingming Festival," "Qiantang River Soundscape," "Song of the Ancient Yue Land," "The Great River North," "Unity is Strength," "Xiong'an," "The Great Harmony Silk Road," and "Yanzhao Long Song." She has premiered works such as "Life Begets Life," "Dream Casting," "Silk," "Prosperous Country and Peaceful People," "Wild Goose Feathers," "Embracing," and "Sentiments Told to Baipo."Zhang Yongyin is also dedicated to promoting the development and research of erhu art. In 2019, she commissioned the renowned composerProfessor Wang Yunfei to create the large-scale erhu concerto "Dream Casting," which she premiered. The work received funding from the National Arts Fund Young Artistic Creation Talent Program — Stage Art Performance Project and was also selected for the Ministry of Culture and Tourism's 2020-2021 "Symphony of the Times — Chinese Symphonic Music Works Creation Support Plan." In 2021, Zhang Yongyin collaborated with the Suzhou Chinese Orchestra to complete the recording of the full concerto and released her personal performance album "Dream Casting" with Shanghai Music Publishing House. Her other solo album releases include "Unaccompanied Erhu Suite - Rulai Dream," "Music Dictionary Performer Album Series: Erhu - Zhang Yongyin," and "Chanting the Celestial Sound of Chinese Music - Liu Tianhua's Ten Erhu Solos." She has presided over multiple national and provincial-level projects and has published several academic papers in core journals.
（來源：中國音樂網(wǎng)）
